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Publikationen / Publications

A) Aufsätze / Articles and book chapters

(A1) Open Borders. Tradition and Tajik Popular Music: Questions of Aesthetics, Identity and Political Economy. In: Ethnomusicology Forum 14/2 (2005), 185-211.

(A2) Sonic Practices and Concepts in Tajik Popular Music.” Proceedings of the Conference Music in the World of Islam, Assilah, Morocco, 8-13 August 2007. Assilah/Paris: Assilah Forum Foundation/La Maison des Cultures du Monde (2007).

(A3) Music, Politics, and Nation Building in Post-Soviet Tajikistan.” In: Laudan Nooshin (ed.) Music and the Play of Power in the Middle East, North Africa and Central Asia. London: Ashgate (2009), 115-142.

(A4) Introduzione: Traiettorie fra Italia e Turchia in musica e in etno/musicologia. [Introduction: Tracing relationships between Italy and Turkey in music and ethno / musicology.] In: Federico Spinetti (ed.) Giuseppe Donizetti Pascià: Traiettorie musicali e storiche tra Italia e Turchia / Giuseppe Donizetti Pasha: Musical and historical trajectories between Italy and Turkey. Bergamo: Fondazione Donizetti (2010), xiii-liii.

(A5) An Analysis of the Uyghur On Ikki Muqam: Aspects of Melody and Form in the Segah Suite. In: Mousiké, International Journal of Ethnomusicological Studies (2010) 113-144. Co-authored with Eleni Kallimopoulou.

(A6) Tradition-based Popular Music in Contemporary Tajikistan. In: Theodore Levin, Saida Daukeyeva and Elmira Köchümkulova (eds.) The Music of Central Asia. Bloomington, IN: Indiana University Press (2016), 586-595.

(A7) Choreographing the Self: Staged Folklore and Popular Music in Rural Tajikistan. In: Ethnomusicology Ireland 5 (2017) , 75-100.

(A8) Introduction: Music, Sound, and Architecture in Islam.” In: Michael Frishkopf and Federico Spinetti (eds.) Music, Sound, and Architecture in Islam. Austin: University of Texas Press 2018), 1-15. Co-authored with Michael Frishkopf.

(A9) Of Mirrors and Frames: Music, Sound, and Architecture at the Iranian Zurkhâneh. In: Michael Frishkopf and Federico Spinetti (eds.) Music, Sound, and Architecture in Islam. Austin: University of Texas Press (2018), 356-384.

(A10) Passaggi di memoria: Fischia il vento e la sua eredità nelle canzoni. In: Studi e ricerche di storia contemporanea. Rassegna dell’Istituto bergamasco per la storia della Resistenza e dell’età contemporanea 90 (2018), 67-100.

(A11) The Enemy – A Partisan Hymnbook: Critical Notes on Memory, Music, and the Making of a Documentary Film.” In: Amra Bosnić and Naida Hukić (eds.) Music in Society: The Collection of Papers. The 10th International Symposium “Music in Society”, Sarajevo, October 20-22.2016. Sarajevo: Musicological Society of the Federation of Bosnia and Herzegovina; Academy of Music, University of Sarajevo (2018), 217-245. 

(A12) Italy: Modern and Contemporary Performance Practice. In: Janet L. Sturman (ed.) Sage Encyclopaedia of Music and Culture. Thousand Oaks, CA: Sage (forthcoming).

B) Herausgaben / Edited Books

(B1) Giuseppe Donizetti Pascià: Traiettorie musicali e storiche tra Italia e Turchia / Giuseppe Donizetti Pasha: Musical and historical trajectories between Italy and Turkey. Edited by Federico Spinetti. Bergamo: Fondazione Donizetti (2010).

(B2) Music, Sound, and Architecture in Islam. Edited by Michael Frishkopf and Federico Spinetti. Austin: University of Texas Press (2018).

C) Dokumentarfilme / Documentary Films

(C1) South. A documentary film by Federico Spinetti. 10 min. Colour (2004).

(C2) Wedding [Music and community life in rural Tajikistan]. A documentary film by Federico Spinetti. 14 min. Colour. (2005).

(C3) Zurkhaneh – The House of Strength: Music and Martial Arts of Iran. A documentary film by Federico Spinetti. University of Alberta and Lab 80 Film. 105 min. Colour (2010; DVD edition 2014).

(C4) And the Mountains Float Up like Feathers. A documentary film by Federico Spinetti. Lab 80 Film. 18 min. Colour (2013).

(C5) Il Nemico – Un breviario partigiano [The Enemy – A Partisan Hymnbook]. A documentary film by Federico Spinetti. Lab 80 Film and Universal Music Italy. 80 min. Colour (2015).

D) Aufnahmen / Audio recordings

(D1) Falak: the Voice of Destiny. Traditional, popular and symphonic music of Tajikistan. 2CD set. Recordings, compilation and liner notes by Federico Spinetti. London: British Library Sound Archive and Topic Records (2006).

(D2) People’s Music of Tajikistan. Recordings, compilation and liner notes by Federico Spinetti. Tehran: Mahoor Institute of Culture and Art (2011).

E) Rezensionen / Reviews

(E1) Rachel Harris: The Making of a Musical Canon in Chinese Central Asia: The Uyghur Twelve Muqam. Aldershot: Ashgate 2008. In: Ethnomusicology 54/1 (2008), 147-152.

(E2) The Silk Road: A Musical Caravan. Washington: Smithsonian Folkways Recordings 2002. In: Middle East Studies Association Bulletin 41/2 (2007), 176-178.