Curriculum vitae

• since October 2023: research assistant in Systematic Musicology, Institute of Musicology of the University of Cologne
• since January 2022: research assistant in Systematic Musicology, Department of Music and Musicology, TU Dortmund University
• 2017 to 2021: student assistant, later employed in the scientific field, Max Planck Institute for Empirical Aesthetics, Frankfurt am Main
• 2017 to 2021: M.A. in Musicology, University of Bremen (including two semesters at the University of Oslo)
• 2015 to 2017 and 2020 to 2021: student assistant at the musicological institutes at the University of Mainz and the University of Bremen
• 2014 to 2017: B.A. in Musicology and Theatre Studies, University of Mainz (including one semester at the University of Glasgow)
• 2013 to 2014: studies in Music Journalism, Karlsruhe University of Music

Research interests

• entrainment
• effects of music
• concert and audience research, especially live experiences of rock and pop music concerts

Presentations

2024

• Hochgesand, M. & Egermann, H. (2024, 11th–14th September). Gemeinsames Bewegen in einem Indie-Pop-Konzert - Positive Beziehungen zwischen Bewegungs-Entrainment des Publikums und positiven gruppenbezogenen Gedanken [Presentation]. Annual conference of the German Society for Music Studies (GfM), Cologne, Germany.
• Hochgesand, M. & Egermann, H. (2024, 6th–8th September). Gemeinsames Bewegen des Publikums in einem Pop-Konzert – Positive Beziehungen zwischen Bewegungs-Entrainment des Publikums und pro-group-Effekten in einem ökologisch validen Setting [Presentation]. 40th annual conference of the German Society for Music Psychology (DGM), Munich, Germany.
• Hochgesand, M. & Egermann, H. (2024, 3th–6th July). Moving Together in a Pop Concert – Positive Relationships Between Movement Entrainment and Pro-Group Effects in an Ecologically Valid Concert Setting [Presentation]. 12th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM12), York, England.
• Hochgesand, M., Kreuzer, M. & Egermann, H. (2024, February 29th – March 1st). Live is Live? – Erfassen von Live-Musikerleben über Selbstauskünfte und Bewegungs-Entrainment in einem ökologisch validen Indie-Pop-Konzert [Presentation]. Meeting of the section Systematic Musicology of the German Society for Music Studies (GfM), Berlin, Germany.

2023

• Hochgesand, M. & Egermann, H. (2023, 4th–7th October). Entrainment im Livekonzert. Beziehungen zwischen Bewegungsentrainment und sozialem Erleben im Bereich von Jazz-/Rock-/Popkonzerten [Presentation]. Annual conference of the German Society for Music Studies (GfM), Saarbrücken, Germany.
• Hochgesand, M., Kreuzer, M. & Egermann, H. (2023, 14th–16th September). Bewegungs-Entrainment in einem Rockkonzert. Eine explorative Studie zur Untersuchung von Beziehungen zwischen Bewegungs-Entrainment, sozialem Erleben und prosozialem Verhalten in einem ökologisch validen Setting [Presentation]. 33th annual conference of the German Society for Popular Music Studies (GFPM), Siegen, Germany.
• Hochgesand, M. & Egermann, H. (2023, 8th–10th September). Entrainment im Livekonzert: Eine explorative Studie zur Untersuchung der Beziehungen zwischen Bewegungsentrainment, sozialem Erleben und prosozialem Verhalten in einem ökologisch validen Setting [Poster]. 39th annual conference of the German Society for Music Psychology (DGM), Hannover, Germany.
• Hochgesand, M. & Egermann, H. (2023, 24th–28th August). Entrainment in a rock concert – An exploratory study investigating relationships between movement entrainment, social experience and prosocial behaviour in an ecologically valid setting [Presentation]. 17th International Conference on Music Perception and Cognition and the 7^th Conference of the Asia-Pacific Society for the Cognitive Sciences of Music (ICMPC17-APSCOM7), Tokyo, Japan.
• Hochgesand, M. & Egermann, H. (2023, 17th–18th August). Movement Entrainment in a Live Concert – Investigating Relationships Between Movement Entrainment, Social Experience and Prosocial Behaviour in Three Different Concert Scenarios [Presentation]. RITMO Entrainment Workshop, Oslo, Norway / online.

2022

• Hochgesand, M. & Egermann, H. (2022, 2nd–3rd September). Synchronisation im Live-Konzert. Ein Rahmenmodell für Entrainment und prosoziales Verhalten bei Konzerten im Bereich von populärer Musik [Poster]. 38th annual conference of the German Society for Music Psychology (DGM), Würzburg, Germany.